Tag Archives: Film Treatment

Bits and Pieces Come Rolling In – Thu February 19, 2015

It has been a kind of gratifying week with a lot of uncertainty being clarified.  As regards the schedule of activity, I have now – as of a few minutes ago – finished collecting all the still images and sound effects for the film.  These are all the archival images and sound clips that will accompany the narrator’s and voice actor’s words and film footage.

The only outstanding still image is one that I only found out about this week.  A professional artist that I am close to, named Teresa Fenton, is going to create a piece of original art for the film.  It will likely be in the form of a chalk drawing, and will be an “older-looking” image of Mary Ann Shadd.  The picture will be based on the one-and-only photograph of Mary Ann Shadd in existence, which was probably taken when Shadd was in her 20s.  And her face will be aged using as an example, the image of Shadd’s father.  Also, there is an image of Shadd’s sister that may help to give a sense of Mary Ann’s appearance.

This week I also obtained six variations on the musical theme, “Steal Away to Jesus,” performed and recorded by Jenna Richards.  They sound beautiful, and include simple, minor key, abstract, and rolling variations on the theme.  They are going to make an excellent backdrop to the narrative.

I also met with Professors Miller and Walsh, and they gave me some very helpful suggestions for the film narrative.  In particular, we had a good discussion about the “intentionality” of the burial of Black history in Canada.  They also had some good suggestions about the wrap-up of the film.

I’ve been spending some time, as well, this week, thinking about the Reflective Essay.  There are a million things I could talk about.  But I have been thinking about some of the work of theorists, like Michel Foucault, regarding “seeing” and “the gaze” since this sort of project forces one to really look hard and to consider what has been seen, in the past, and what I am seeing through my process.  I also want to consider the whole performance side of things, since this film is clearly a performance of history.  Bettina Carbonell’s “The Syntax of Objects and the Representation of History: Speaking of ‘Slavery in New York’” may be useful.  As well, Freddie Rokem’s Performing History.  And of course, Robert Rosenstone’s “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film” will have some useful points to consider.

I also want to think about the whole ‘burial’ of Black history, and will likely be able to draw from James C. Scott’s Domination and the Arts of Resistance: Hidden Transcripts.

This coming week is going to be devoted to writing the Shooting Script.  As I’ve been tinkering with the Treatment, I’ve been adjusting the narrator’s words, so hopefully when I go to write the Script, in its formal format, a lot of what I need will already be in place.  This week I also want to get times (during the second week of March) set up to record the narrator and all the voice actors, and that is already under way.

Advertisements

Leave a comment

Filed under Uncategorized

Film Treatment Done – Thu January 22, 2015

The big accomplishment for this week was getting the Film Treatment completed and submitted for review.  It’s an important step, since it is the guide that will drive the whole editing process.

I still need to complete three interviews, and portions of the transcripts from those will need to be inserted into the Treatment, but they will not materially alter the flow of the film.  And each of the three interviewees remaining has seen the Concept Proposal, so they know the general arguments for the film.  I had some feedback from Adrienne Shadd to that end, and have included her input in the Treatment.

I have also done a bit of reading this past week that seems relevant to my project, concerning the Cultural Turn.  While already I’ve mentioned the emergence of Social History in the 1970s, the Cultural Turn also emerged at that time, examining the individual over the collective, and ideas of self-understanding.  This idea seems to complement some of the things that Judith Butler wrote about gender as a construct, and my expansion of that notion to include race as a construct.  Clifford Geertz’s writing on the subject of “culture as text” is instructive, regarding the problematization of culture as we would problematize text.  He also examines the use of symbols as a way of understanding cultures with limited or no archival presence – something I talk about in the film.  Perhaps this is something for me to consider in my Reflection paper about cultural symbols, archival gaps, and the problematizing of cultures as texts.

My plan to meet with Rose-Gabrielle about her role as voice actor for the Mary Ann Shadd character didn’t take place.  RG was sick and we have yet to reschedule, but that is on my to-do list for the coming week.

I don’t yet have the final versions of the music, but that is not urgent, and I’ve told Jenna, the pianist as much.

And I didn’t hear back regarding the request that I put in with LAC, but I think with my own research and also some very nicely offered input from Dr. Miller’s wife, Mary Margaret, who is an LAC archivist, I have what I need.

So this coming week I plan to reschedule with Rose Gabrielle, confirm my interview plans in Toronto, and go through the Treatment to find any images and sound clips that I am going to need and don’t already have.

Leave a comment

Filed under Uncategorized